Magickal Hymn to Eris, Nyx, & Nemesis

{This consecrated magickal hymn calls upon Eris/Discordia, Nyx/Nox, and Nemesis, the last of whom is referred to by many different names throughout the hymn. This hymn may be recited one or more times as a spiritual exercise in itself or it can be added onto a ritual}

Aperiatur Stella– Invoco Discordia
Voco te Nox et Invoco Rhamnusis
Venire Eris et Veni Adrestia
Rege Magistra Nyx, et Germinet Gnosis
Eris Germinet Enantiodromia
Et Nemesis, Mater Vindictae et Wyrd
Venire– et Germinet Anados et Azoth
Salve Era Erinys– O Eris Gloria
Agios o Nyx, Domina Noctem
Et Salve Adrestia Genetrix Wyrd
Agios Ischyros Regina Eris
Aperiatur Tartarus– Voco te Nyx
Veni, Discordia, Aeternae Destructrix
Venire– Rhamnusia, Invidia, et Nemesis
Rege et Germinet Lapis Philosophicus
Ave Discordia Mater Kakodaimones
Et Nox, Domina et Mater Tenebris
Agios es, Rhamnusis-Invidia; Matercula Nemesis Gloria
[Open the Sky– I Call to Eris/ I Call to Nyx and I Call to Nemesis/ Come, Eris, and Come, Nemesis/ Reign, Heirarch Nyx, and Usher Forth Divine Knowledge/ Eris, Engender Enantiodromia/ And Nemesis, Mother of Vengeance and Destiny/ Come, and Engender Spiritual Development and Manifest the Fifth Element/ Hail (Female Lord) Nemesis– Oh, Glory to Eris/ Open the Underworld– I Call to Nyx/ Come, Eris, Eternal Destructrix/ Come– (Three Names of Nemesis)/ Reign and Reveal the Philsopher’s Stone/ Hail Eris, Mother of Cacodaimones/ And Nyx, (Female Lord) and Mother of Darkness/ Numinous Art Thou, (Two Names of Nemesis)– Glory to Mother Nemesis]

Nyx, Eris, and Nemesis were among the group of deities whom my former mentor, Adam Percipio, instructed me to call on for a certain black magickial initiatory rite of self-empowerment that I have promised to never reveal to the public. Of the deities I was instructed to call on for that rite, these are the three goddesses whom I found most impressive and desired to continue working with.

In Greek mythology, the goddess Nyx is held to be a fundamental component of reality itself. The Latin variate of her name is Nox, and Nox is held in Thelema to be a complex metaphysical concept of significant magickal importance. In the Left Hand Path, the concept of Nox is given supreme importance in the Draconian Current and retains some importance in Hebdomadry.

Nyx is the bringer of truth whose chariot covers the sky in darkness and casts stars among it. She is described as exceptionally beautiful, but veiled (and she has wings which is cool). She governs prophecy, dreams, and seership, and she helps the witch attain awareness and connect with her true self. She is described as forgiving, loving, compassionate, and yet wrathful. By her engendering of nightfall, she bestows upon those who suffer in day the boons of healing, respite, sleep, dreams, rest, and ultimately, death.

Nyx is infatuated with mischief and immortality, especially when they are pursued in cover of darkness.  She favors fugitives, evil-doers, and thieves, and she is known as the Mother of Mysteries. Her influence is said to beget terror and she is called the “Goddess of Phantoms and Shadows Play.”

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Above: Original Sigil of Nyx

Nemesis is the unavoidable and allvanquishing titaness. Her chariot is drawn by griffins– therionick totems of vengeance. Nemesis is the goddess of revenge whom even Zeus is said to fear. All descriptions of her appearance are horrible and grotesque. She is believed to engender the humiliation of prideful humans– a great destroyer of hubris.

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Above: Original Sigil of Nemesis

Eris is the goddess of strife who resides within the nethermost depths of the realm of the dead. She is the central divinity of a paradigm of Chaos Magick called Discordianism, which paradigm does profess to be legitimately focused on magickal self-transformation.

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Above: Original Sigil of Eris/Discordia

-V.K. Jehannum
Agios Octinomos-Drakosophia

A Rite to Apollo, Thor, and Nergal

{Names in bold are to be vibrated and phrases in italics are to be chanted. Translations of foreign phrases appear in brackets. The purpose of this ritual is to increase magickal power, engender the development of wisdom, and augment strength of character. Focus on these three goals, perhaps on only one or two of them at a time, as you perform the rite. It is the prerogative of the celebrant to decide what tools or materials she is to incorporate, if any}

Zacam Micalzo Apollo Solpeth De G Omaoas Odzamran Pambt
[I Move You, Mighty Apollo! Hearken to Your Names and Appear Unto Me]

Phanaeus + Apauliunas + Lycegenes + Sauroctonos + Cynthius + Delius + Pythius

Ave Apollo Rex Olympus Et Sol (x7)
[Hail Apollo, the King of Olympus and the Sun]

Venire, Pater Apollo-Pythius (x7)
[Come, Father Apollo of (A Specific Region of Delphi)]

Hailaz Donar! Salve Pater Oku-Thor!
[Hail Thor! Hail Father Thor]

Salve, Salve, Agios Es
Agios Ischyros Oku-Thor
Venire Aeternae Atli Asa-Thor
Veni, Vethorm, Donar, et Sonnung
Ennilag, Einridi, Biorn, Gloria
Ave Pater et Rex Thunraz
Et Agios o Mjolnir
[Hail, hail, numinous art thou/ Mighty and numinous is Thor of the cart/ Come, terrible and eternal Thor of the Aesier/ Come, Thor, bear and protector of the shrine/ Glory to the one who rides alone, true spirit, one with a forehead wide/ Hail to the father and king over thunder/ And his hammer is numinous]

Heil Ennilag-Asa-Thor-Hardveur! Io Rym-Ennilag-Sonnung-Oku-Thor!
[Hail (Three Names of Thor)! Hail (Four Names of Thor)]

Salve Pater Oku-Thor!
[Hail Unto Father Thor of the Cart]

Ol Um Isli Meslamta-ea Solpeth De G Omaoas Odzamran
[I Call Thee Nergal, Hearken to the Names and Appear]

Nerigal + Enmeshara + Ishar + Lugal Meslam + Qaru + Suqamuna + Ne-Iri-Gal

Nirig Nirgali E-Meslah (x7) [(Three Names of Nergal)]

Ol Zodameta Gohed Girunugal-Enmessara (x7)
[I Conjure Thee Everlasting (Two Names of Nergal)]

Ave Apollo Rex Olympus Et Sol! Hailaz Donar! Ia Nergal-Ya!
[Hail Apollo, the King of Olympus and the Sun! Hail Thor! Hail Nergal]

Gi Chismicaolz Ioiad Sa Gohed Apollo Thor Od Nergal!
[You Are Mighty Forever and Everlasting, Apollo, Thor, and Nergal]

Invocation of Mephistophiles or Mesphito

{This ritual uses Enochian script alongside a series of magickal chants to invoke Mesphito/Mephistophiles and refers to the spirit by his various names. Translations of foreign phrases appear in brackets while explanations of magickal words or chants appear in parenthesis where no translation exists. The names of Mephistophiles/Mesphito which appear in bold are to be vibrated one by one. If the witch does not know how to vibrate names, she may simply recite them. While no material equipment or sigil is necessary for success in this rite, the witch who has such things available to her should incorporate them at her own discretion. The ‘demonic enn’ or magickal calling-chant which is used to invoke any demon (the witch fills the blank with the name of the spirit) originates from The Complete Book of Demonolatry Magic by J. Thorp. The chant ‘Liftoach Kliffot’ is from Liber Azerate and the word of power ‘Zodamran’ is from the Dragon Rouge curriculum. The Latin phrase telling Mephistophile to ‘Come, Come’ is from The Book of Mephisto by Asenath Mason. If you struggle with the pronunciation of any part of this ritual, simply do your best to sound it out and know that your recitation is sufficient whether or not you get it right}

Ol Um A Hemostophile A Gohed Oheloka. Solpeth A Omaoas:
[I Call to Hemostophile the Everlasting Duke. Hearken Unto the Names:]

Mesphito + Mephisto + Mephist + Hemostophile + Megastophiles + Memostophiles + Mephistophilis + Mephistophiel + Mephistophielis

Liftoach Pandemonium! Liftoach Hekel Lebanath Ha-Adamas Ater!
[Open the Infernal Plane! Open the Palace of the Pavement of the Black Diamond]

Zazas Zazas Nasatanada Zazas! Liftoach Kliffot! Yehi Aur Chashakh!
[(Chant to Raise Qliphothic Energy)! Open the Qliphoth! Let There Be Infernal Light]

Mesphito Ramec Viasa On Ca
(Mesphito’s Demonic Enn)

Reayha Bacana Lyan Reme Quim Mephistophiles
(Demonic Enn to Invoke Any Demon)

Ol Zodameta A Micalzo Od Gohed Gah Methosophiles
[I Conjure Thee, the Mighty and Everlasting Spirit Methosophiles]

Baruch Ha-Mephist Mephir Ha-Gadhol
[Blessed is Mephist the Great Destroyer]

Veni, Veni Mephistophile
[Come, Come, Mephistophile]

Niiso Arphe Sa Zacare Mephistophiel
[Come Forth, Descend, and Move Mephistophiel]

Ol Oecremi Mephist-Hemostophile-Mesphito
[I Prase (Three Names of Mesphito)]

Reayha Bacana Lyan Reme Quim Megastophiles
(Demonic Enn to Invoke Any Demon)

Io Mephisto, Zodamran, Zodamran
[Hail Mephisto, (Word of Power to Presence Qliphothic Energy)]

Niis Od Caosgon Memostophiles Odzamran Pambt
[Come and Be to the Earth, Memostophiles, and Appear Unto Me]

Veni, Veni Mephistophile
[Come, Come, Mephistophile]

Mesphito Ramec Viasa On Ca
(Mesphito’s Demonic Enn)

Reayha Bacana Lyan Reme Quim Mephistophielis
(Demonic Enn to Invoke Any Demon)

Salve Mephitophiles, Salve Mephistophiles, Salve Mephistophiles.
[Hail Mephistophiles, Hail Mephistophiles, Hail Mephistophiles]

Invocation of Prometheus

{This ritual serves to invoke Prometheus, the Titan of Foresight and Clever Council. It uses a fill-in-the-blank demonic enn provided for the invocation of any spirit in The Complete Book of Demonolatry Magic by J. Thorp. Also, I channeled a magickal chant for the summoning of Prometheus, invocation or otherwise. I spelled these words such that the reader could guess easily at their pronunciation, once partially separating a magickal word into syllable identical to the English word “tour.” Before you start, you should know that Hellen is a name for Greece and “Physis” is a Greek term signifying the internal, spiritual, and ever-changing nature of some thing}

Io Prometheus!
[Hail Prometheus]

The Wyrdful-Aeonic-Macroscopic Transcendence of Mankind the Clayborn was orchestrated, initiated, and expedited by the Darksome Fugitive of the Mountain Olympus, the Blasphemous Titanic Insurrectionist Deity known by the name Prometheus to the mythographers of Hellen. The Numinous Veil-Gate to all that is sacred within and without the physis of us is magickally, transgressively, and gnostically accessed through the Dancing Portal of Flame, the alchemical element of causality which vibrates the closest to that which is truly eternal.

Reayha Bacana Lyan Reme Quim Prometheus (x11)

Harken forward from your Enthronement of Fugivity to appear in the body that you blessed with gnosis. Hail unto the almighty Prometheus of legend, and hail to the latent numinosity inside.

Limgathandrah-TOUR-ah Angrethall Prometheus (x11)

I am one with Prometheus, the Craftsman Titan.

A Necrosophic Rite of Hellenism

This ritual calls upon four Greek divinities native to the Left Hand Path for the purpose of self-empowerment. The ritual serves to strengthen the magickal and psychic abilities of the witch and simultaneously impart an understanding both of herself and of other people. The word “lebensweg” means “life journey” in German. Mormolyttomai/Murmux is called upon by his various names. Neptune, Enosichthon, Phratrios, and Ennosigaos are names for Poseidon. Luna, Cynthia, Pasiphae, and Phoebe are names for Selene. Nasilliad, Nohzul, Sophipell, and Lilaina are invented magickal names for Scylla. Translations of foreign phrases appear in brackets. Chants in italics are meant to be chanted and names in bold are meant to be vibrated. It is up to the operator to decide for herself which, if any, ritual equipment she wants to use.


Ave Luna Noctiluca! Salve Ducis Murmux! Ayea, Ayea, Skylla! Io Neptune-Ennosigaos!
[Hail Luna Who Shines At Night! Hail Duke Murmux! Welcome, Welcome Skylla! Hail Unto Neptune-Ennosigaos]

I conjure forward the Hellenistic Divinities which preside over Self-Deification. Neptune, Mormo, and Scylla are the Acausal and Sempiternal Initiators who impart gnosis and power through Necromancy. Luna the Resplendent Titaness is the Nitid Maiden of Witchcraft and Moonlight who magnifies the spiritual powers of the sorceress and refines her psychic senses.

I call forward these Four Divinities of Esotericism and Sorcery whose gnosis engenders revelations concerning the Western Tradition of Magick. By my vibration of their myriad epithets I summon them now unto me.

Mormolyttomai + Nohzul + Enosichthon + Selene + Sophipell + Murmas + Poseidon + Phoebe + Skylla + Murmur + Neptune + Luna + Scylla + Mormo + Pasiphae + Phratrios + Lilaina + Murmux + Cynthia + Ennosigaos + Nasilliad

The mystical incantations of my tradition have caused reverberations throughout the subtle atmosphere of this place. Theomorphic presences become increasingly tangible as the ritual of summoning continues. Murmur and Neptune engender Necrosophic Initiation unto the adherent to the Left Hand Path. The Deific Emissaries of the Netherworld ascend to walk amongst the world of men. Scylla is the one who knows the true nature of the Black Flame within us all. Within this benighted ritual chamber, I slowly become transformed.

Mormo Murmux Matthias-Daimon (x7)

Veni, Siderum Regina Bicornis (x11)
[Come, Two-Horned Queen of the Stars (Selene)]

 Nohzul, Scylla, Sophipell (x11)

Venire Aeternae Pater Neptunus (x9)
[Come Eternal Father Neptunus]

Ol Um A Scylla Sa Luna A Arphe (x11)
[I Call to Scylla and Luna to Descend]

I call upon the divinities which have come to preside over my rite for the purpose of spiritual evolution. Empower my psychic senses and magickal powers, and confer unto me a subconscious understanding of my Self and fellow man. Spirits, impart gnosis of the human condition unto me so that I might navigate the labyrinth of my lebensweg with insight and understanding!

My final request is that I be refine for the office of seer and mediumship.

Zacare Caosgi Odzamran Pambt Gohed Selene (x11)
[Move to the Earth and Appear Unto Me Everlasting Selene]

Ennosigaos, Seisichthon, Poseidon, Asphaleios (x9)

 Agios Murmux Rex Mormolyceae (x6)
[Numinous (is) Murmux, King of Ghouls]

Torzodu Odzamran Micalzo Scylla (x11)
[Arise and Appear Mighty Scylla]

 Venire Neptune-Poseidon Veni (x7)
[Come Neptune-Poseidon Come]

Murmur Liatora (x3)
[(Channeled Chant to Summon Murmur)]

As I have spoken, so let it be done.

IMG_0753Above: Original Sigil of Scylla
IMG_0748Above: Original Sigil of Poseidon
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Above: Yuri M.’s Sigil of Luna

Prayer Rite to Hecate

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Above: Original Sigil of Hecate

This prayer consists of magickal chants created by V.K. Jehannum, the Temple of the Black Light, Wiccan Tradition, Traditional Witchcraft, Demonolatry (specific text: Honoring Death), and the 218 Current (specific text: Liber Azerate). Translations of foreign phrases appear in brackets. The prayer is to be recited thrice and the witch is to make one to three requests for Hecate to fulfill prior to recitation.


Ave Agia! In Nomine Chaos, Vocamus Te Hekate!
[Hail Agia (Hecate)! In the Name of Chaos, We Call to Hekate]

Aperiatur Stella, et germinet Agia!
[Open the Sky, and Bring Forth Agia (Hekate)]

Io Hekate Io Ho! Eko, Eko Hekate!
(Magickal Chants to Call on Hecate)

Salve Pandeina Antania Hekate!
[Hail Unto Hekate, the Queen of the Underworld Feared by All]

Veni Hekate! Veni Hekate! Veni Hekate!
[Come Hekate! Come Hekate! Come Hekate]

Salve Luna Infortuna Nocticula Hekate!
[Hail to Hekate the Baleful Moon Which Shines at Night]

Io Hekate Io Ho! Anana Hekate Ayer!
(Magickal Chants to Call on Hecate)

Ave Abnukta Hekate! Ave Nocticula Hekate! Ave Trivia Hekate!
[Hail Hekate Who Wanders at Night! Hail Hekate Who Shines at Night! Hail Unto the Three-Formed Hekate]

Ave Agia!
[Hail Agia (Hecate)’]

Moloch and the Minotaur: Eleusinian vs Qliphothic Mysteries

In this article, I’m going to argue the point that Hecate and Moloch were integral divinities in the Eleusinian Mysteries. While this is certainly a big claim to make, you’ll be surprised as to how obvious the conclusions I’ll be drawing really are. In fact, the overwhelming majority of the conclusions I’ll be drawing have already been proposed by scholars on the subject. My primary source is my years of study into Hecate, Moloch, Qliphothic Demonology, the Goetia, the Draconian Tradition, Necromancy, the Qliphoth, and Hermeticism and Arabic Cosmology as described by the Order of the Nine Angles. Meanwhile, my primary sources for the subjects of the Eleusinian Mysteries, Poseidon, and the Minotaur are the Wikipedia articles regarding them.

Moloch’s appearance is near identical to the appearance imputed to the Minotaur [Bulls of Minos] in Greek mythology. Greek myth never depicted a species of “minotaurs,” but rather always depicted the Minotaur as a singular entity. The Minotaur, who was sometimes called Asterion [Star], is generally held to be the son of the Cretan Bull, who was also sometimes called Asterion.

The Cretan Bull, also called the Marathonian Bull, was an emissary and messenger of Poseidon. Bulls were sacred to Poseidon– alongside Mars and Apollo, he was one of the only three deities it was appropriate to sacrifice bulls to. Poseidon sent the Marathonian/Cretan Bull to King Minos of Crete as a sign of support with the expectation that Minos would sacrifice it to him. Minos kept the bull instead of sacrificing it in fulfillment of his promises to Poseidon, so Poseidon caused Minos’s wife to fall in love with the Cretan Bull. Thus the Minotaur was born of the Marathonian Bull and a human woman. Poseidon passed his rage onto the Cretan Bull, who acted it out by going on a destructive rampage. You’re probably familiar with the rest of this myth, the one where a labyrinth is built to trap the Minotaur in.

Another version of the myth depicts the Cretan Bull as a form assumed by Zeus to impregnate the Queen of Crete. Asterion I, the King of Crete, raised Zeus’s children as stepfather, which children consisted of two gods of the underworld, another afterlife deity (a psychopompic “judge” figure), and the Minotaur, known as Asterion II and Asterius. In examining the Minoan Queen’s other sons by Zeus, it would be illogical to conclude that Asterion II the Minotaur was not himself a god, and a chthonic one at that. Here, Minos is the son of Asterion I and therefore the sibling of Asterius the Minotaur.

According to Wikipedia, “Some mythologists regard the Minotaur as a solar personification and a Minoan adapatation of the Baal-Moloch of the Phoenicians. The slaying of the Minotaur by Theseus in that case indicates the breaking of Athenian tributary relations with the Minoan Crete.”

Prior to this breaking of tributary relations, Crete was the foremost political and cultural potency in the Aegean Sea, and scholars speculate that the Athenian tribute to Crete would have included humans provided for sacrifice to the Minotaur should it have really had a cult there. It was an Athenian hero who killed the Minotaur in the labyrinth myth, specifically in order to liberate Crete from the obligation to placate the Minotaur via human sacrifice.

The Wikipedia article goes on to relate some mythologists’ attribution of Cretan rituals of human sacrifice and the use of a brass bull to burn people alive in to the cult of the Minotaur. Moloch, being a sun god, was recorded in the Bible as accepting child sacrifices via burning within a statue of his likeness. According to Dictionairre Infernal by Collin D’Plancy, the statue was made of brass and had seven different kinds of cabinets for seven different kinds of sacrifice, the seventh of which was a human child. In the labyrinth myth, the Minotaur can only be placated by the human sacrifice of seven males and seven females.

The valley of Tophet wherein Moloch was worshiped (supposedly via the brass statue) became the archetype behind the Abrahamic conception of Hell, and as we said, the Asterion II must necessarily be a chthonian deity. According to Dictionairre Infernal, Moloch was related to Mithras specifically because the seven cabinets of his statue apparently corresponded to Mithras’s seven mysterious chambers. In Qliphothic demonology, Moloch rules the realm of Thaumiel, which realm lies within “the Seventh Hell.” The Minotaur appeared in Dante’s Inferno as the ruler of the Seventh Circle of Hell, being that of Violence (Moloch was a god of war). Here, the Minotaur was the “gatekeeper for the entire seventh circle” who “seems to represent the entire zone of Violence” according to Wikipedia.

Cretan fifth-century coins always depicted one of two entities. The first of these two was Karme, “a female Cretan spirit who assisted the grain harvest of Demeter’s Cretan predecessor” according to Wikipedia. We will accept that the Cretan precursor to Demeter is indeed the same entity as Demeter herself because Demeter is said to be the mother of Proserpina’s predecessor. While Proserpina is held to be the daughter of Zeus and Demeter, Proserpina’s precursor was said to have been fathered by Poseidon instead. Interestingly enough, the only coins which did not display Karme displayed the Minotaur.

Quoting Wikipedia, “According to Jeremy McInerney, the iconography of the bull permeates Minoan culture. The cult of the bull was also prominent in southwestern Anatolia. Bernard Clive Dietrich notes that the most important animal in the Neolithic shrines at Çatalhöyük was the bull. The bull was a chthonic animal associated with fertility and vegetation. It figured in cave cults connected with rites for the dead.

“The palace at Knossos displays a number of murals depicting young men and women vaulting over a bull. While scholars are divided as to whether or not this reflects an actual practice, Barry B. Powell suggests it may have contributed to the story of the young Athenians sent to the Minotaur. McInerney observes that the story of Pasiphaë and the Cretan Bull were not written until after Crete had come under Greek control. Emma Stafford notes that the story of the Cretan Bull does not appear before the Hellenistic period and suggests the connection between Crete and Athens is the result of the development of the myth of the Theseus cycle in late sixth century Athens.

The iconography of Cretan coinage solidifies the speculation about a Cretan cult to Asterion II, but it bears other significant implications as well. Demeter and her daughter, Proserpina (Kore/Persephone),  were the primary divinities of the Eleusinian Mysteries which predated the gods of Olympus. The Mycenean Greek tablets which delineate the Eleusinian Mysteries describe “two mistresses and the king” which scholars believe most likely refers to Demeter, Proserpina, and Poseidon. Poseidon was the consort of Demeter, and the Minotaur was more or less his offspring. Since the only coins which do not depict the Minotaur depict another divinity related to this trio, it seems unlikely for the Minotaur not to have been divine himself.

As we have said, there were only three Greek deities whom bull sacrifice was acceptable to, which means there were only a few deities to whom the bull iconography could exhibit veneration of. Of these three, the only one relevant enough to the Eleusinian Mysteries is Poseidon. The Mycenean Greek reference to the “two mistresses and the king” was found in Knossus, which is where the Cretan coins depicting Karme and the Minotaur were minted.

The Eleusinian Mysteries are believed by some scholars to be a continuation of the tradition of a Minoan cult, which is interesting, because the name “Minotaur” simply translates to “Bull of Minos.” Remember that it is Minoan culture which was saturated with bull imagery and which Asterion I, the Minotaur’s stepfather, ruled as king in myth.

The namesake for the Minoan civilization of Crete is held to be the son of the Cretan Bull and the stepson of Asterion I. It was Minos who inherited the throne and it was his wife who constructed the labyrinth to imprison the Minotaur as she was advised to do by the oracles. Once Asterius the Minotaur was in the labyrinth, it was Minos who ordered the offering of annual human sacrifices therein. We know that the myth of the labyrinth depicts a biased view of the Minotaur, who appears as the antagonist because of how he was reviled in Athens. Etruscan iconography hearkens to a more beneficent view of the Minotaur lost to time, so it is likely that, should a cult of Asterius have really existed, this labyrinth was some manner of temple. After all, the labyrinth is said to have been made in Knossos, the same place where coinage depicting Moloch alongside a beloved divinity was minted. The later re-imagining of the Minotaur’s labyrinth as a trap out of contempt for its inhabitant would mirror the infernal implications later attributed to the valley wherein Moloch was worshiped.

So, if coinage hearkening to the worship of Asterius was minted in Knossos, and a temple dedicated to the Minotaur was also located in Knossos, and the Mycenean writings describing the Eleusinian mysteries were found in Knossos could the Minotaur have been a part of the Eleusinian Mysteries?

Let’s examine the EM’s primary divinities. Demeter was a chthonic earth mother and fertility goddess, and Proserpina later became a goddess of the underworld– Hecate only became associated with the underworld when she decided to accompany Proserpina to it to keep her company. Poseidon was considered the god of the underworld prior to becoming the ruler of the ocean (it’s the same way with Neptune). The EM also included the veneration of Sabazius, Proserpina’s son with Zeus, was a chthonic deity largely related to snakes in iconography.

Knowing this, let’s agree that the Cretan Bull is more related to Poseidon than Zeus– the bull is far more native to Poseidon’s person than Zeus’s. Bulls and the EM as a whole were deeply chthonic in nature, where Zeus was not. The Mycenean literature describing the EM spends far more time discussing Poseidon than Zeus, and the myths of Proserpina integral to the EM depict her as Poseidon’s daughter in opposition to the later depictions of Zeus siring her. Now, we can say that, since Karme is an emissary of Demeter local to Knossos, Asterius is probably an emissary of Poseidon local to Knossos– nothing else would make sense.

The Eleusinian Mysteries focus on the concept of self-deification in pursuit of immortality. While the concept of immortality did not exist in the EM at their inception, their original adherents did believe they would be gaining a better place in the underworld. Proserpina’s ascent from the Underworld to rejoin her mother Demeter is seen as analogous to humankind’s pursuit of self-deification whereby we are redeemed from our mortality. The Greek word used to refer to Persephone’s rebirth-through-ascent is transliterated as anados or anodos and translated as “ascent.” The word anados is used by the Order of the Nine Angles specifically to refer to the use of planet-based alchemical initiations in pursuit of immortality because of the Corpus Hermeticum’s use of the word in the same way.

Three separate authors adhering to a black magickal paradigm called the Draconian Tradition have adopted Demeter, Poseidon, and Proserpina as divinities appropriate to the DT’s sinistral alchemy. Since Qliphothic magick is integral to the Draconian Tradition, and since the three primary divinities of the Eleusinian Mysteries are each considered suitable for the DT based on their individual merits, maybe a Qliphothic deity like Moloch could be appropriate for the Eleusinian Mysteries?

Well, the Eleusinian Mysteries were said to have originated as an agrarian cult, and Moloch was a god of fertility. Poseidon is one of the EM’s primary deities, and the Qlipha Moloch rules is attributed to Neptune. Since the Qliphoth is the only tree which has a Neptunian sphere (the Sephiroth and Tree of Wyrd do not), this is pretty significant. Infants were initiated into the Eleusinian Mysteries by being passed over the fire of the hearth, and many scholars have struggled to argue the unpopular position that the sacrifice of fires to Moloch were actually child-purification rituals.

Let’s step outside of the Qliphoth for a moment. The pursuit of self-perfection through the process of sequential planetary initiations predates Judao-Mysticism and therefore predates the Sephiroth. The Semitic conception of ten emanations, nine being related to planets and one being related to the Mobile Primum, was inspired by a predated by a different schema. Prior conceptions of planet-affiliated spheres of emanation only posited seven planetary spheres, beyond which seven lay a sphere equivalent to the Qabbalistic sphere of the Mobile Primum. The seven planetary emanations appear in Pre-Islamic alchemical cosmology in the same order as they do in Hermeticism, ranging from Qamar [Sphere of the Moon] to Zuhal [Sphere of Saturn]. The sphere equivalent to that of the Mobile Primum was known as Al-Kawatib Al-Thaubitah [Realm of the Heavenly Fixed Stars], which would, on the Qliphoth, be equivalent to Thaumiel, ruled by Moloch (as well as Satan) and attributed to Neptune (as well as Pluto).

Since Moloch is attributed to Al-Kawatib Al-Thaubitah, could this explain how he could attain a stellar title like Asterius? There’s no other explanation for the name that I’m aware of. A didrachm at Knossos depicted the Minotaur’s labyrinth on one side and the Minotaur on the other, standing surrounded by a semicircle of stars, possibly signifying Asterius’s presiding over the penultimate emanation and the attainment of divinity. The name “Asterion II” would thus be significant, in that the Qliphothic equivalent to the Realm of Heavenly Fixed Stars is the realm of dual divinity.

So if Moloch rules the final initiation in Qliphothic esoterism, what was the last rite of the EM’s esotericism? Quoting Wikipedia, “As to the climax of the Mysteries, there are two modern theories. Some hold that the priests were the ones to reveal the visions of the holy night, consisting of a fire that represented the possibility of life after death, and various sacred objects. Others hold this explanation to be insufficient to account for the power and longevity of the Mysteries, and that the experiences must have been internal and mediated by a powerful psychoactive ingredient contained in the kykeon drink.”

Since Moloch is the God of Fire, the penultimate rite of the EM is thus in line with his nature. The only opposition to this exists because some scholars do not think such a ritual would leave much of an impression on the celebrants– a conclusion based on Atheism. Other initiatory rites in the EM include bathing in the river Phaleron, kykeon-induced hallucinations, honoring the dead, the sacrifice of piglets and bulls (chthonic animals), and all-night-long feasts.

We have previously stated that “Minotaur” translates as “Bull of Minos,” but what does the name “Minos” mean? Minos translates to “King” just like Moloch translates to “King.” Quite the coincidence. This suggests that Minotaur might actually translate to “Ruling/Regal Bull.”

Quoting Wikipedia, “According to A. B. Cook, Minos and Minotaur are only different forms of the same personage, representing the sun-god of the Cretans, who depicted the sun as a bull.”

The ruins of Minos’s palace were found in Knossos, the same part of Crete where the coins depicting Asterius were minted. It would make a lot of sense for the coins exchanged in Knossos to depict its ruler rather than a reviled abomination. Imparting the Cretan king’s moniker “Asterion” to the Minotaur would also make a lot more sense if the Minotaur was his successor. No labyrinth has been discovered in Crete, but the odd layout of Minos’s palace has led some scholars to argue that it was the inspiration behind the labyrinth myth. The earliest myths depicting Minos as the stepson of Asterion I purported that Minos was the only one of the three non-Minotaur children to become a god after death, specifically the ruler of the shades of the dead (no wonder I relate him to Poseidon). As you know, later myths depict Minos as well as his two non-Minotaur children are elevated to deities, with no explanation given as to what happened to the Minotaur when it died. Minos is said to have imprisoned the inventor who built the labyrinth at his behest (?) and to have pursued him after he escaped. The Sicilian king who gives the inventor refuge is the one who murders Minos. Where early myths about Minos depict him as a kind and beneficent king, Athenian myth depicts him as a tyrant, callously forcing the Athenians to afford sacrificial victims for the Minotaur.

The Cult of Eileithyia is one source of information about the EM, wherein Eileithyia was worshiped as the mother of the divine child. Poseidon was related to the Cult of Eileithyia, and Eileithyia herself was later absorbed by Hecate. Since Hecate’s human son, a monarch, was sacrificed to her and attained immortality and divinity in doing so, she would fit into the EM perfectly– the birth of the divine child is incredibly significant to the EM. (Hecate’s ascended son appears in the Goetia as Murmur). Hecate is very significant in the Draconian Tradition as well as in multiple paradigms of Satanism, and she is held to be a Qliphothic Initiator. Eileithyia and Hecate are the only lunar goddesses to carry two torches in signification of moonlight, and there are two crescent moons depicted on the fifth-century coins minted in Knossos. The Cult of Eileithyia practiced its ceremonies in the cave of Amnisos, which cave was part of the Minoan Civilization, serving as the port to Knossos.

Eileithyia was not considered chthonic, so if she were indeed an aspect of Hecate, her significance to the EM would make more sense. If Eileithyia isn’t Hecate, she would be the only significant divinity of EM not relevant to the Draconian Tradition. Furthermore, since Hecate and Poseidon both protected ships from storms, their worship side by side in a port makes a lot of sense. We are arguing here that the goddess named Eileithyia is the same entity as the one later venerated by the name Hecate, not that the Cult of Eileithyia was at all familiar with Hecate.

Eileithyia did come to be held as an aspect of Hecate, and one of Hecate’s title is Limenoskopos [Overseer of the Harbor]. Hecate’s epithet Einodia Thygater Demetros [Daughter of Demeter] also makes it sensible for her to be significant in EM, especially when venerated alongside Poseidon, Demeter’s consort. The precursor to Proserpina we mentioned earlier was named Despoina, which name is a title of Hecate as well. Proserpina and Hecate share the name Pyrophoitos, meaning “fire-walker,” which name is clearly significant to the EM.

Hecate is strongly held to be a goddess of the ocean. Her moniker Polyplokamos [Of Many Tentacles] likens her to Poseidon, the god of sea monsters. While some myths purport that Poseidon created horses by raping Demeter, others purport that he created the horse by willing fornication with Medusa. According to The Goddess Hecate by Ronan, Medusa is, in fact, a recorded name used in reference to Hecate, as are various synonyms for Medusa (Drakaina, Karko, Gorgo, Lamia, etc.). Hecate is often depicted adorned with serpents, similar to Proserpina’s son Sabazius who is worshiped in EM by adorning oneself with snakes to signify attainment. Poseidon and Hecate are both said to take the forms of horses, both ride in chariots, bulls are strongly related to both of them, and they are both rulers of the underworld. Several of Hecate’s titles and epithets describe her as a nymph or dryad. Titles of her like Tauromorphos [Bull-Formed], Astrodia [Star-Walker], and Athanatos [Immortal Flame] appear to relate her to the Minotaur. Hecate has forms and epithets depicting her as a giant and a draconic entity, and giants and dragons are said to be the inhabitants of Thaumiel.

The Ninnion Tablet’s depiction of the Eleusinian Mysteries displays Proserpina, Demeter, and Iacchus lead a procession of initiates. According to Wikipedia, accompanying the procession is “an unknown female (probably a priestess of Demeter) sat nearby on the kiste, holding a scepter and a vessel filled with kykeon.” Since Hecate helped Demeter search for Proserpina, dwells alongside Proserpina in Hades, and was venerated alongside Poseidon by a prominent EM cult, this unidentified female was most likely Hecate (in her aspect as Eileithyia).

The argument I am making is that Hecate and Moloch, who are both highly significant in Qliphothic sorcery, were primary deities of the Eleusinian Mysteries, and that the anados of the EM could have been Qliphothic in nature, just as authorities on the Simon Necronomicon claim that its gate-walkings are Qliphothic in nature. Since Hecate already has a divine child who is considered demonic and attributed in part to the Sun, it is very well likely that Moloch, as Asterius the Minotaur and Minos alike, could have been viewed by the adherents to the EM as the divine child of Hecate. Since Moloch is a god of the sea related to the sphere of Neptune and manifesting as an animal sacred to Poseidon, it is possible that Minos was viewed as the offspring of Poseidon and Hecate-Eileithyia. Moloch is vampiric, just like Hecate and her son Murmur.

-V.K. Jehannum

Invocation of Luna/Selene

(This ritual should be performed at night facing the West. An “aeronaut” is anyone in a flying contraption and the word “resplendent” means “glowing brilliantly.” Translations of the Latin and Enochian phrases will appear in brackets below them.)

I have elected to invoke the Immortal Aeronaut of the Moonrise so that I might be transformed through union with her. Selene, I call unto you with the names by which you are known to man!

(Vibrate the names which follow)
NOCTILUCA + AIGLE + SELENE + LUNA + PHOEBE + EILEITHYIA + CYNTHIA + PASIPHAE + MENE

Ave Luna Noctiluca!
[Latin: Hail Luna who shines at night]

SOLPETH BIEN SA ZORGE, MICALZO PASIPHAE
[Enochian: Hearken unto my voice and be friendly unto me, mighty Pasiphae (Luna)]

(Chant the following chant to Selene thrice)
Veni, Siderum Regina Bicornis (x3)
[Latin: Come, Two-Horned Queen of the Stars]

OL UM A EXENTASER GRAA MICALOZ
[I call to the Mother of All Moonlight]

TIOLB OL TRIAN NOAS VRBS MALPRG IADNAH OD CICLE
[Within Her I shall become beautified through divine knowledge mysteries]

ARPHE ODZAMRAN PAMBT, BAGLE ZIRDO HOATH O IL ODLONSHIN A IADANAH
[Descend and appear unto me, for I am a true worshipper of thy powers and divine knowledge]

Resplendent Oracle who imparts illumination,
Ivory Priestess of Divination and Witchcraft,
Darksome Titaness of Empathy and Feminity,
Permit me to experience union with you!

Veni, Siderum Regina Bicornis (x3) [Come, Two-Horned Queen of the Stars]

OL UM A NONCI SOBRA NETAB CHIS A ODLONSHIN C A GRAA
[I call to you in whose government are the powers of the moon]

TABAAN O ORS DAS A TURBS DE A AOIVEAE
[Governor of Darkness and the Beauty of the Stars]

DRILPI PASBS C A BUDSIR C A DOSIG
[Great Daughter of the glory of the night]

Luna Noctiluca, permit me to experience your grandeur and strength!
Sum Aeternae Sancta Selene (x3) [Latin: I am the Eternal Sacred Selene]
Sum Regina Pasiphae (x7) [I am Queen Pasiphae]
Sum Cynthia Dea Tenebris (x13) [I am Cynthia the Goddess of Darkness]

As I have spoken, so let it be done!

sigil-of-selene-2
(Above: Sigil from the Order of Selene Despoina)